AKG MP 40 User Manual Page 29
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- Table of contents
- TROUBLESHOOTING
- BOOKMARKS
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Volume
Matches the output level of the receiver to the
input gain of the mixer. (For details see illus-
tration below)
AF LEDs
The green AF LED indicates the input level to
the audio section is within the optimum
range. If the audio input level is too high, the
PEAK LED comes on.
Diversity LEDs
Indicate which of the two
receiving antennas is
currently active.
Frequency color code platelet
Receivers using the same frequency
are marked with the same color
code.
RF LEDs
Illuminates to indicate that RF signal is being
received. If the RF signal fails or the squelch
comes on, the MUTE LED will be lit.
ON/OFF switch
with status LED.
Antennas
The swiveling antennas are mounted on
the front panel, allowing the receiver to be
rack mounted.
Case
The 1 U half-rack case is easy
to mount in a rack and allows
you to install two receivers in a
single slot.
www.akg.com 27
MicroMic C 411 L pickup
For guitar, violin, viola, banjo, zither, or hammered dulcimer.
Fix the pickup near the bridge (left).
D 409 instrument MicroMics
For saxophone, clarinet, tubas, trombone, trumpet.
C 416 L instrument MicroMic
To mic up an accordion, use two AKG C 416 L with a B 29L
battery supply/mini mixer.
C 419 L instrument MicroMics
For saxophone, clarinet, tubas, trombone, trumpet.
C 420 L head-worn MicroMic
For flute and harmonica.
Connecting to microphone or line inputs
Use an XLR cable to connect the MIC OUT socket on the
SR 40 to a balanced (XLR) microphone input on the mixer.
Turn the VOLUME control on the SR 40 all the way CCW (left).
Use an XLR to 1/4" cable to connect the LINE OUT socket on
the SR 40 to an unbalanced line input (1/4" jack) on the
mixer. Turn the VOLUME control on the receiver all the way
CW (right).
Never use both receiver outputs simultaneously! This may
cause a loss in signal level and increased noise.
Alternative receivers
You can also use the PT 40 with the SR 40
stationary receiver or the PR 40 portable
receiver.
For detailed hints on using MicroMics refer to pages 80/81.
SR 40 diversity Receiver
AKG WMS UHF INSTRUMENTS
- Wireless 1
- Microphone 1
- AKG PREFACE 3
- AKG - A LEGENDARY BRAND 4
- AKG HISTORY 5
- HOW WIRELESS TECHNOLOGY WORKS 10
- AKG WMS BASICS 11
- THE WMS 40 MODULAR SYSTEM 12
- PresentersInstruments 13
- Aerobics 13
- AKG WMS 40 UHF FOR VOCALS 14
- AKG WMS UHF VOCALS 15
- AKG WMS 40 UHF FOR PRESENTERS 22
- AKG WMS UHF PRESENTERS 23
- AKG WMS 40 UHF FOR PRESENTER 24
- AKG WMS 40 UHF FOR SPORTS 26
- AKG WMS UHF AEROBICS 27
- AKG WMS UHF INSTRUMENTS 28
- AKG WMS UHF GUITAR BASS 30
- TROUBLESHOOTING HINTS 36
- THE WMS 400 MODULAR SYSTEM 37
- AKG WMS 400 RECEIVER 38
- AKG WMS SR 400 UHF 39
- AKG WMS 400 TRANSMITTERS 40
- AKG WMS PT 400 UHF 41
- AKG WMS CU 400 42
- AKG WMS 400 ACCESSORIES 43
- Derivation of 3 46
- Theater Frequencies 47
- HOW TO USE ANTENNAS 49
- Frequency bands I + II 50
- Antenna cables 50
- AKG WMS ANTENNA TECHNOLOGY 51
- THE WMS 4000 MODULAR SYSTEM 52
- AKG WMS 4000 OVERVIEW 53
- AKG WMS 4000 TRANSMITTERS 54
- AKG WMS PT 4000 55
- AKG WMS 4000 RECEIVER 56
- AKG WMS SR 4000 57
- AKG WMS 4000 CHARGING SYSTEM 58
- MOBILE CHARGING UNITS 59
- AKG WMS 4000 ANTENNA SPLITTER 60
- AKG WMS PS 4000 61
- AKG WMS 4000 ANTENNAS 62
- AKG WMS HUB 4000 64
- AKG WMS MCS 4000 65
- AKG WMS 4000 POWER SUPPLY 66
- AKG WMS HPA 4000 67
- WMS 4000 8-CHANNEL SETUP 68
- AKG WMS PRACTICAL EXAMPLES 69
- WMS 4000 10-CHANNEL SETUP 70
- WMS 4000 16-CHANNEL SETUP 72
- WMS 4000 46-CHANNEL SETUP 76
- Antenna cable B 78
- Antenna cable A 78
- WMS 4000 1-CHANNEL SETUP 80
- AKG WMS FOR INSTRUMENTS 82
- APPLICATION GUIDE 84
- AKG WMS OVERVIEW 85
- SPECIFICATIONS 86
- GLOSSARY 88
- Term Page 93
- APPENDIX 94
- AKG Acoustics GmbH 100
- AKG ACOUSTICS, U.S 100
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